P.J. Video's New RED Scarlet-W 5K Camera

We are super excited to announce that P.J. Video has a brand new RED Scarlet-W 5K Camera in our already stellar line-up of cameras.  Specs and options below.  Contact us for pricing and more information.

CAMERA Modules:

7 Inch Touch Screen OLED

Titanium Canon Mount (PL Mount Available)

Outrigger Handle

DSMC-2 Side Handle

4 V-Mount Batteries (Hard Power included)

DSMC-2 Base Expander

RED Quick release plate with 19mm or 15mm rails

2 480 gig Red Mini Mags

Wooden Camera A-Box XLR

SENSOR

SENSOR TYPERED DRAGON 13.8 MP Super 35 mm CMOS
EFFECTIVE PIXELS5120 x 2700
SENSOR SIZE25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
DYNAMIC RANGE16.5+ stops
SIGNAL-TO-NOISE-RATIO80 dB

RECORDING

MAX DATA RATESUp to 170 MB/s using RED MINI-MAG
MAX FRAME RATES150 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)  
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)  
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)  
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

PLAYBACK FRAME RATES  
(PROJECT TIMEBASE)23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS  
RANGE FROM 2:1 UP TO 22:114:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps  
7:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps  
3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps  
6:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps

REDCODE RAW  
ACQUISITION FORMATS25K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x  
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x  
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x  
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORESProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps  
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps

AVID CODECS3DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps  
DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps

TYPICAL MAX RECORDING TIME  
USING RED MINI-MAG 120GB55K Full Format (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes  
5K Full Format (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes  
4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes

FEATURES

COLOR MANAGEMENTSupports 17×17×17 3D LUTs  
Variable number of 3D LUT outputs with DSMC2 expander module  
User programmable shaper 1D LUTs  
Tetrahedral interpolation, 16-bit processing

AUDIOIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz  
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROLIntegrated R.C.P. WiFi antenna  
Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS3G-SDI (HD-SDI) and HDMI with DSMC2 expander module  
1080p RGB or 4:2:2, 720p RGB or 4:2:2  
480p RGB or 4:2:2 (HDMI Only)  
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONSDSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. 
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

SOFTWARE

REDCINE-X PRO  
DELIVERY FORMATS4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)  
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)  
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF  
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4